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Journal article

Enacting musical emotions. sense-making, dynamic systems, and the embodied mind

Abstract:

The subject of musical emotions has emerged only recently as a major area of research. While much work in this area offers fascinating insights to musicological research, assumptions about the nature of emotional experience seem to remain committed to appraisal, representations, and a rule-based or information-processing model of cognition. Over the past three decades alternative ‘embodied’ and ‘enactive’ models of mind have challenged this approach by emphasising the self-organising aspects ...

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Publication status:
Published
Peer review status:
Peer reviewed

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Publisher copy:
10.1007/s11097-016-9477-8

Authors


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Institution:
University of Oxford
Division:
Humanities Division
Department:
Music Faculty
Department:
Music Faculty
Role:
Author
ORCID:
0000-0001-6503-914X
Publisher:
Springer Publisher's website
Journal:
Phenomenology and the Cognitive Sciences Journal website
Volume:
16
Issue:
5
Pages:
785-809
Publication date:
2016-07-22
Acceptance date:
2016-07-16
DOI:
EISSN:
1572-8676
ISSN:
1568-7759
Source identifiers:
844946
Keywords:
Pubs id:
pubs:844946
UUID:
uuid:118ff429-1117-4a2c-b482-b21203d9df0a
Local pid:
pubs:844946
Deposit date:
2018-05-13

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